Starring: Dakota Johnson, Tilda Swinton, Mia Goth, Chloë Grace Moretz
Director: Luca Guadagnino
Running Time: 152 Minutes
Rating: R for Imaginatively Bloody Violence and Witchcraft-Based Nudity
Release Date: October 26, 2018 (Limited)
I’ve seen the 1977 original Dario Argento-directed Suspiria, but I don’t remember much about it, other than the colors and the music. I also recall that the premise is that a young American ballet student arrives at a prestigious dance academy in Germany, where she discovers that the place is run by a coven of witches. That is the same setup for Luca Guadagnino’s remake, but in just about every other way, this is not a film that should feel compelled to call itself a remake. Let me jump in with my theory on proper remake strategy: a good remake can be based on a good or bad movie, but it must necessarily be significantly different enough from the original. Because if the original was bad, why would you want to do it over again? But if the original was good, it would be pointless to do it all over again, since the original still exists. The new Suspiria is certainly different enough, more inspired by than redoing the original. Although it is possible that it is recreating scenes that I forgot about, but if that is the case, that’s clearly not a problem.
Guadagnino is a master of baroque delights. From Dakota Johnson’s slithery dancing to an onslaught of bodily contortions and explosions, this is a mass feast of sensory awesomeness. I’m pretty sure that Thom Yorke’s score is also excellent, but I’ll have to listen again to make sure. As for any deeper themes – whether regarding feminism, power dynamics, or the like – there may be plenty to jump into there. Perhaps I will dig into it a month or a year from now. But it’s also possible there may not be any subtext at all. And that is just dandy in this case. Also, pay special attention to “Lutz Ebersdorf.” He’s going places.
Suspiria is Recommended If You Like: Suspiria (1977), Hausu, Hereditary
Grade: 4 out of 5 Leotards