Starring: Mackenzie Foy, Keira Knightley, Matthew Macfayden, Eugenio Derbez, Richard E. Grant, Helen Mirren, Morgan Freeman, Misty Copeland
Directors: Lasse Hallström and Joe Johnston
Running Time: 99 Minutes
Rating: PG for Mildly Scary Rodents
Release Date: November 2, 2018
In The Nutcracker and the Four Realms, Mr. Stahlbaum’s (Matthew Macfayden) wife has recently passed away, so now he wants to make sure that he and his children are able to keep it together. What does he believe is the best way to do so? Why, dancing, of course! They head off to a Christmas ball, where he insists to his headstrong daughter Clara (Mackenzie Foy) that she must save one dance for him. When they arrive, she has no interest in dancing, but by the end, the entire Stahlbaum family is dancing together. How does she end up changing her mind? I guess it must have something to do with her impromptu journey through a magical, Narnia-like realm, but I’m not sure show. This movie resembles a hero’s journey in which lessons are learned, but it is not particularly clear what those lessons are, beyond the simple “be brave” and “appearances can be deceiving.” But regardless, Mr. Stahlbaum’s wish for dancing is fulfilled, so … mission accomplished?
Beyond Clara’s internal fortitude, the main potential attraction in the Four Realms is Keira Knightley’s weirdly affected performance as the Sugar Plum Fairy. As one of the leaders of the realms, she sounds like a body snatcher doing an impression of a ditzy supermodel. She speaks in baby-talk neologisms that make her sound like a character from Rugrats. The way she says “Oh, poo” is transcendent.
Basically, what it boils down to is this: I have no idea how closely this film resembles the original 1816 short story, and I do not care to look it up. (I’m guessing the plot doesn’t matter all that much in the ballet.) The Nutcracker and the Four Realms lacks a sense of of clear purpose and meaning and comes with a psychedelic edge that often goes along with misbegotten fantasy family movies. I would not expect such a surreal flavor from either of its co-directors (Lasse Hallström and Joe Johnston), but accidental surrealism is often the best surrealism.
The Nutcracker and the Four Realms is Recommended If You Like: I have absolutely no clue.
Grade: 3 out of 5 Mice