Starring: James Corden, Domhnall Gleeson, Rose Byrne, Daisy Ridley, Margot Robbie, Elizabeth Debicki, Matt Lucas, Sia, Sam Neill
Director: Will Gluck
Running Time: 93 Minutes
Rating: PG for Cartoonish, But Quite Dangerous, Violence
Release Date: February 9, 2018
For the most part, Peter Rabbit is just another trifling kids movie with CG-animated animals. It is not the worst of the menagerie, though it is far from the best. But like many movies of this ilk, it also raises some weird metaphysical conundrums that I do not think it ever planned on grappling with but that it cannot avoid entirely. When you have anthropomorphic animals interacting with humans, especially when those humans are played by live-action actors, you have to decide how much the humans can recognize the critters’ extraordinary abilities. When the beasts talk to each other, does it just sound like animal noises to people? Or can they hear it perfectly, thus forcing the animals to be discreet? Or maybe there is only Dr. Dolittle-type, going mad over the loneliness of his interspecies communication powers.
In this case, Peter (James Corden), his triplet sisters Mopsy (Elizabeth Debicki), Flopsy (Margot Robbie), and Cottontail (Daisy Ridley), and their cousin Benjamin Bunny (Matt Lucas) are quite sneaky, and as their schemes become more and more elaborate, there is no reason to pretend that they are not fully intelligent creatures. The confirmation that they can in fact talk to humans is a rather sloppy reveal, as it begs the question: how have they hidden this secret for so long? Regardless of what mysterious machinations they have pulled off, the narrative requires that they spill the truth, considering that Peter is responsible for extensive property damage, and furthermore, he wants to apologize to Bea (Rose Byrne), the human that he loves, and make peace with Thomas McGregor (Domhnall Gleeson), the human that he has been torturing. This all makes for a resolution that is sweet but with disturbing subtext.
But beyond that, this is a fairly typical entry for this genre, as typified by its soundtrack of the pop hits of the past twenty years. Len’s “Steal My Sunshine,” Basement Jaxx’s “Do Your Thing,” and Portugal. The Man’s “Feel It Still” will keep the kids bouncing in their chairs without challenging their soundscapes. Lady Bird can take note that Peter’s use of Dave Matthews Band’s “Crash Into Me” is not similarly profound. Elsewhere, the film’s raison d’être is excessively painful physical gags, including a truly worrying number of electrocutions (this is nowhere near as gentle as Beatrix Potter’s source material). There is a rake gag that I must admit I chuckled at, though I am concerned that the target audience will not realize how heavily indebted it is to The Simpsons. And that is indicative of the whole: a satisfying diversion, but with some worrisome implications.
Peter Rabbit is Recommended If You Like: MouseHunt, Dr. Dolittle, the Pop Dance Hits of Today!
Grade: 3 out of 5 Winking Rabbits